Looking Out at the View
Refinery ArtSpace, Whakatū Nelson. 20 January – 22 February 2020.
So, I say to the psychiatrist, sometimes I feel I'm a mouse.
And the psychiatrist asks, what do you mean when you say that you feel you're a mouse?
Doesn't everyone know what you mean when you say that you feel like a mouse? You know, quiet like a mouse, I say.
The way the psychiatrist is looking at me — I'm sure he's considering a diagnosis of clinical lycanthropy, a rare condition involving the delusion that one can transform into an animal. I prefer therianthropy, which is the purely mythological ability of humans to metamorphose into other animals.
I laugh and say, not a mouse. What I mean is that sometimes I find it difficult to speak.
Looking Out at the View is a rule-based series about my propensity to adopt the identity of famous artists, objects and creatures. It is built from rearranged found text, my biography, and photographs taken of me as a child. The work includes the photographer (who writes) and the poet (who photographs). It is a photo album of sorts: portraits and self-portraits in an eternal present.
Self-Portrait as Eva Hesse. Digital print on paper mounted to aluminium. 000 × 000 mm. 2020.
Self-Portrait as 'Luncheon In Fur': The Surrealist Teacup That Stirred The Art World. Digital print on paper mounted to aluminium. 000 × 000 mm. 2020.
Metamorphosis. Digital print on paper mounted to aluminium. 000 × 000 mm. 2020.
Self-Portrait as Rat (Rodent Genus). Digital print on paper mounted to aluminium. 000 × 000 mm. 2020.
Self-Portrait as The Spider's Web by David Attenborough. Digital print on paper mounted to aluminium. 000 × 000 mm. 2020.
Self-Portrait as The Maybe - A performance and installation at the Serpentine Gallery, London, a collaboration between Cornelia Parker and Tilda Swinton. Digital print on paper mounted to aluminium. 000 × 000 mm. 2020.
Self-Portrait as Gillian Wearing: 'Having to talk to a group makes me very uncomfortable.' Digital print on paper mounted to aluminium. 000 × 000 mm. 2020.
Looking Out at the View. Installation view, The Refinery ArtSpace, Whakatū Nelson. 2020.
Looking Out at the View. Installation view, The Refinery ArtSpace, Whakatū Nelson. 2020.
Documentation: Rachael Brown.